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If you've ever taken a digital photograph into GIMP to remove red eye or an ex-girlfriend or ex-boyfriend, or crop out a finger that got into the edge of the frame, then you are practically a compositor. A "comp artist," as they are called in the industry, specializes in taking disparate moving images and placing them in the same frame, usually to make it appear that the different elements were shot at the same time. On the big screen, you'll see this in nearly every movie since 1933's King Kong (or thereabouts), but the art has reached a science in the digital realm, where some movies are practically not so much as edited as they are superimposed.
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